Please take note before reading any further, this preset is made for Guitar Rig 5 Pro. In this preset I've tried to modulate Joe Satriani sound when he was st. In this preset I've tried to modulate Joe Satriani sound when he was st.

The second drive is based off of the Proctavia pedal that he uses in the video below with the first drive pedal disengaged. The delay block is really close to what Satriani's setting is in the Music Radar youtube video posted below though it does have a longer feedback in the delay which can be easily adjusted I personally don't prefer it to be as long as he has it. The chorus block is based off of the song Circles, and I believe I got the settings for the chorus block off another preset that someone posted previously unfortunately I don't remember who's it was my apologies.

The frets are what I've always used, the 6105s, because I really like them. The Prestige fret edge treatment is very important for ease of playing so that you can play like crazy or you can cruise - either way it's always going to be comfortable. The neck is a three-piece Maple neck. The addition this time is the Bubinga stripe.

The JSA line has a very comfortable neck for players of the electric guitar; I think they'll feel right at home. And you can play up way the neck - the intonation is fantastic! That transition from electric guitar to acoustic in the middle of a show is a piece of cake because of the way we built the neck and the feel of the fretboard.

'That’s an all-original Olympic White/maple-cap Strat. It’s really beautiful; take off the pickguard and you see the original color, it’s pretty stunning.

We've got the benefit now of having the Bubinga stripe adding a stronger tone and complete stability, which is really important. The fretboard is Rosewood, and it's kind of what I really prefere for all of my playing because it has that fantastic sound.

So now we have this unit in it that sounds fantastic. We've got chrome Grover Tuners on it. They're fantastic, very accurate and got great tension on them. It also has Abalone rosette and body binding.

That's a very important point for me. In the JSA20, we've got the Fishman Acoustic Matrix pickup system and also the Fishman Aura Pro preamp, with presets by me. Of course, it's got an Onboard tuner, which is really cool. This is something that has been a new change for us in the JSA line.

'I couldn't do without the JS1200. This one is a bit modified because we put a sustaining pickup. I use that on a couple of songs on the new record. Live I'm using it for the song 'Why' in just the regular single-coil tone.

Everything works with Guitar Rig 5, but will probably work with older versions (most of it) [URL='-It's hosted in Mediafire ~1.5mb [B][U]Band List:[/U][/B] (there are more assorted presets) This is also my first post. Yay, I popped my cherry!:dance:[/QUOTE] This is also my first post! Thankyou so much for the presets, Drakmaar! Can't wait to try them!

That’s why I got both. I thought, “For one or two or three songs, these are gonna be the perfect guitars.”. 'I was in Caracas, Venezuela, one evening and a guy walked up to me in front of a restaurant and said, “I am such a big fan of yours, I would love for you to have this guitar.” So I said, “Well, thank you.” Great, you know? It has the adjustable bridge and is a beautiful guitar. I loved it immediately, and I wrote songs on it right away; I wrote “Bitten By the Wolf,” that wound up on the first Chickenfoot record. I think I wrote “Different Devil,” too, on the new Chickenfoot record.

Anda dapat mendownloadnya dan meloadnya dari guitar rig anda. Berikut daftar Guitar Rig Artist Presetsnya yang bisa digunakan di guitar rig 5.

Talk about mojo! I couldn’t believe how great it sounded and how easy it was to play. He had bought it from an old rock-and-roll player who told him he was the only owner. My neurosis kicked in, and I had to have it. So that was an expensive afternoon, as I walked out with three cases!' 'I struggled with that guitar. It’s one of those where you open the case, look at it, smell it, and fall in love.

Something happens to the low end. So what it does is it cleans up the low end and makes it a bit more punchier exactly when you need it, even though you're playing a guitar like this. As for the bridge pickup, with this thing here, people who have had my 2400s know that I really like playing the DiMarzio Mo' Joe pickup. It's got, I think, just a bit more chunk, and that's exactly what I was looking for a fuller low end, a fuller mid range to balance out some of those really quirky qualities that the pickup had.

That, of course, creates that beautiful sound. It's very responsive, great tone sounding wood. The JSA20 has got solid Rosewood on the back and sides - it's a beautiful pattern. The neck is a mahogany neck.

I then thought to myself, 'We've got to get this thing going,' so I e-mailed it right away to the guys at Ibanez's custom shop. That started the long journey of trying to replicate this color. There's a lot about this guitar that's new and innovative for the JS line. The body itself is an Alder body. I was looking for a body that would give me a bit more punch and maybe the ability to cut through the mix a little bit more.

Determining Your Setup The 'Setup' filter helps you to focus on those presets best-suited for how you use your Axe-Fx. FRFR/Direct presets (like all of the Factory presets) are designed for 'full-range flat-response' systems such as studio monitors, PAs, headphones, etc.

The delay block is really close to what Satriani's setting is in the Music Radar youtube video posted below though it does have a longer feedback in the delay which can be easily adjusted I personally don't prefer it to be as long as he has it. The chorus block is based off of the song Circles, and I believe I got the settings for the chorus block off another preset that someone posted previously unfortunately I don't remember who's it was my apologies. The video starts around 7:35 of Joe playing Anyways I hope you guys enjoy and it comes in handy.

They're fantastic, very accurate and got great tension on them. It also has Abalone rosette and body binding. The bridge and the fretboard are ebony. I've always liked that look as well as the sound. I think these guitars actually come strung up, so they use D'Addario EXP strings - which are the best!' 'That is such a great player.

PG's Rebecca Dirks is On Location at the Chicago Theatre, in Chicago, IL, where she catches up with guitarist Joe Satriani before his 'Black Swans and Wormhole Wizards' Winter 2010 tour. In this Rig Rundown segment, Satriani walks us through all the gear and equipment he's using during the tour.

It pretty much functions like the JS1000s, except in this particular case without all the particular stuff I mentioned, the body is older and it's got a Bubinga stripe in the neck, and it's orange! I wanted to get it to look like this '73 Camaro that was painted in a hugger orange color. We decided not to put in the white stripe. But in the end it came out looking like Halloween candy. We just figured not many people would want to buy an orange guitar, but because it's older wood than I usually use it has just maybe 2% extra warmth to it or something. It doesn't cut as well but it's a little fatter sounding.

I don’t have an Ibanez-style guitar so I have used my Gibson SG 61 Reissue since humbuckers are a must for Satch’s lead tone (I accept donations in the form of JS1000s 😉 ). A pity I don’t have a floyd rose kind of tremolo, I should not have sold my shredding guitar. If there is one thing that I have discovered, it is that Satriani has an extremely clean technique (emphasis on extremely clean) that my gruff style cannot match in a million years. Also, I am not able to reproduce the super smooth legato runs that Satriani is a specialist of as I am used to picking every note. Nevertheless I sure had lots of fun getting my old DS-1 out of the closet!

Satriani rolls back his volume knob to get a much cleaner sound when needed, with the drive engaged it is based off of the Boss DS-1, not the Satchurater. The second drive is based off of the Proctavia pedal that he uses in the video below with the first drive pedal disengaged.

This guitar has the JSA body shape and the top is the solid englemann spruce top. That, of course, creates that beautiful sound. It's very responsive, great tone sounding wood. The JSA20 has got solid Rosewood on the back and sides - it's a beautiful pattern. The neck is a mahogany neck. The JSA line has a very comfortable neck for players of the electric guitar; I think they'll feel right at home.

I walked into Chris Cobb’s shop, Real Guitars, in San Francisco, one day, not thinking of buying anything. But there were two ’60s Strats – a ’64 and a ’61 – on consignment. I couldn’t believe it, I’d been looking for something like them for 10 years. So then and there, I bought them. Download autocad 2010 full version.

Of course, the frets are 6105 - I really like those. The edge of these frets is really nice, we give it that nice edge treatment. So whether you're playing some crazy acrobatic guitar or just playing some chilling chords it's going to feel comfortable.

'This is one of the two prototypes that I had when developing the JS2400. So 24 frets instead of the usual 22, extra cut away.

This is really important. Of course, we're always struggling to get the same quality that I demand from those guys because I want to be able to play these things. One of the most important things is the neck and the feel. This is a three-piece maple neck with a Bubinga stripe through it. We've got the benefit now of having the Bubinga stripe adding a stronger tone and complete stability, which is really important.

PG's Rebecca Dirks is On Location at the Chicago Theatre, in Chicago, IL, where she catches up with guitarist Joe Satriani before his 'Black Swans and Wormhole Wizards' Winter 2010 tour. In this Rig Rundown segment, Satriani walks us through all the gear and equipment he's using during the tour. Also, he talks about how this rig differs from the one he uses with supergroup Chickenfoot.

'I struggled with that guitar. It’s one of those where you open the case, look at it, smell it, and fall in love. But if I can’t figure out how to play good music on it, eventually it starts to bother me that I’ve got this expensive guitar and there’s 100 guys out there who could play beautiful music on it. Instead, it’s in my closet. That really bothers me.